{"id":22086,"date":"2026-03-05T14:02:10","date_gmt":"2026-03-05T05:02:10","guid":{"rendered":"https:\/\/multipoints.jp\/en\/?p=22086"},"modified":"2026-03-05T14:02:11","modified_gmt":"2026-03-05T05:02:11","slug":"movie-kokuho","status":"publish","type":"post","link":"https:\/\/multipoints.jp\/en\/movie-kokuho\/","title":{"rendered":"From Japan to the Oscars: The Hollywood Reception of “KOKUHO” (National Treasure)"},"content":{"rendered":"\n

<A moving tale of the grueling world of artistic mastery told through Kabuki><\/strong><\/p>\n\n\n\n

I finally went to see the movie everyone is talking about: “Kokuho” (National Treasure).<\/p>\n\n\n\n

Based on the award-winning novel by Shuichi Yoshida,<\/strong> the film left me trembling with an emotional resonance that far exceeded my expectations. I\u2019m writing this blog today because I simply had to share this experience with all of you.<\/p>\n\n\n\n

The Story<\/h2>\n\n\n\n

Born into a yakuza family(the world of chivalry), the protagonist Kikuo Tachibana (Ryo Yoshizawa)<\/strong> questions the world he was born into and flees home at the age of 16. Haunted by the beauty of a Kabuki performance he saw as a child, he decides to dedicate his life to the art. However, in the world of Kabuki\u2014where prestige and lineage are everything\u2014no troupe is willing to take in a complete outsider.<\/p>\n\n\n\n

That is until Hanjiro Hanai (Ken Watanabe)<\/strong>, the head of the prestigious Hanai family, recognizes Kikuo\u2019s raw passion and natural talent. Hanjiro takes him in as a disciple, granting him the stage name “Toichiro Hanai.” From there, Kikuo resolves to survive in the world of Kabuki alongside Hanjiro\u2019s son, Shunsuke Ogaki (Ryusei Yokohama)<\/strong>, who is also walking the path of an actor.<\/p>\n\n\n\n

Kikuo\u2019s rise is far from easy. While he is blessed with a natural gift for oyama <\/strong>(male actors who play female roles) and gains recognition, he constantly struggles with the rigid customs of the Kabuki world and the gap between himself and Shunsuke, the “rightful heir.”<\/p>\n\n\n\n

Despite this, Kikuo polishes his craft with singular focus. He and Shunsuke become best friends and fierce rivals, pushing each other to new heights. As they build their stage presence together, they deepen their friendship and become utterly consumed by the art of Kabuki.<\/p>\n\n\n\n

As time passes, Kikuo becomes a legendary oyama <\/em> and eyes the very pinnacle of the Kabuki world. Yet, behind his brilliant success lies a growing loneliness. Having sacrificed everything for his craft, Kikuo\u2019s life is marked by painful partings from loved ones and deep internal anguish. The story depicts half a century of his life\u2014an epic journey from a runaway boy to a man recognized as a Living National Treasure.<\/p>\n\n\n\n

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Highlights of the Film<\/h2>\n\n\n\n

1. Masterful Performances<\/strong> Ryo Yoshizawa<\/strong> delivers a delicate performance, capturing Kikuo\u2019s youthful earnestness, agony, and sensuality. His presence on the Kabuki stage was so stunning\u2014in both movement and expression\u2014that I truly forgot I was watching an actor and not a lifelong practitioner.<\/p>\n\n\n\n

Ryusei Yokohama<\/strong> is equally overwhelming as Kikuo’s best friend and greatest rival. Furthermore, Ken Watanabe<\/strong> as the master Hanjiro Hanai is captivating; he embodies a teacher’s love hidden behind sternness and a burning passion for the art. Supporting performances by Min Tanaka<\/strong> as the veteran onnagata<\/em> and Shinobu Terajima<\/strong> as Hanjiro\u2019s wife add incredible depth to the film.<\/p>\n\n\n\n

2. Breathtaking Kabuki Stages<\/strong> One of the film’s greatest charms is the abundance of Kabuki scenes. The lighting, costumes, and every single gesture are artistic masterpieces. It feels as immersive as sitting in a front-row seat at a theater. Even those unfamiliar with Kabuki will be captivated by its beauty.<\/p>\n\n\n\n

3. The Depth of Human Drama<\/strong> While it centers on Kabuki, at its core, this is a universal human story. It makes you reflect on talent versus effort, success and failure, and the complex nature of the master-disciple and family relationship.<\/p>\n\n\n\n

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Cast & Staff<\/h3>\n\n\n\n
    \n
  • Ryo Yoshizawa (as Kikuo Tachibana \/ Toichiro Hanai):<\/strong> The protagonist who escapes the yakuza life to become a legendary onnagata<\/em>.<\/li>\n\n\n\n
  • Ryusei Yokohama (as Shunsuke Ogaki \/ Hamiya Hanai):<\/strong> The heir to a prestigious Kabuki family and Kikuo\u2019s lifelong rival.<\/li>\n\n\n\n
  • Mitsuki Takahata (as Harue Fukuda):<\/strong> Kikuo\u2019s childhood friend who supports him beyond blood ties or romance.<\/li>\n\n\n\n
  • Ken Watanabe (as Hanjiro Hanai):<\/strong> Head of the Hanai house who discovers and fosters Kikuo\u2019s talent.<\/li>\n\n\n\n
  • Shinobu Terajima (as Sachiko Ogaki):<\/strong> Hanjiro\u2019s wife. Initially hesitant, she eventually nurtures Kikuo as family.<\/li>\n\n\n\n
  • Min Tanaka (as Mangiku Onogawa):<\/strong> A Living National Treasure and the greatest onnagata<\/em> of the era.<\/li>\n\n\n\n
  • Nana Mori (as Akiko):<\/strong> A key woman in Kikuo’s life appearing later in the story.<\/li>\n\n\n\n
  • Masatoshi Nagase (as Gongo Tachibana):<\/strong> Kikuo\u2019s father and leader of the Tachibana-gumi.<\/li>\n\n\n\n
  • Director:<\/strong> Sang-il Lee<\/li>\n\n\n\n
  • Screenplay:<\/strong> Satoko Okudera<\/li>\n\n\n\n
  • Original Novel:<\/strong> Shuichi Yoshida, Kokuho<\/em><\/li>\n<\/ul>\n\n\n\n
    \n\n\n\n
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    Hollywood\u2019s Reception<\/h2>\n\n\n\n

    As of early 2026, the film has achieved a historic milestone by becoming the first-ever Japanese production to be nominated for Best Makeup and Hairstyling<\/strong> at the 98th Academy Awards. This nomination highlights the film’s meticulous recreation of Kabuki\u2019s visual splendor, which has left Hollywood critics and industry professionals in awe.<\/p>\n\n\n\n

    Here are the key takeaways from the Hollywood reception:<\/p>\n\n\n\n

      \n
    • Visual Mastery:<\/strong> Top-tier critics, including those from The New York Times<\/em> and NPR<\/em>, have lauded the film\u2019s “resplendent cinematography” and “dazzling costumes.” The portrayal of the onnagata<\/em> (male actors playing female roles) has been described as a transformative cinematic experience.<\/li>\n\n\n\n
    • Performance Acclaim:<\/strong> Ryo Yoshizawa\u2019s performance has been praised for its “dry-ice intensity,” while Ryusei Yokohama\u2019s portrayal of his rival is noted for providing a poignant emotional anchor.<\/li>\n\n\n\n
    • Cultural Impact:<\/strong> While some reviewers found the 175-minute runtime challenging, the majority agree that Director Sang-il Lee has successfully bridged the gap between traditional Japanese art and universal human drama. It is being hailed as a “sprawling epic” that transcends cultural barriers.<\/li>\n<\/ul>\n\n\n\n

      “KOKUHO” is not just seen as a “Japanese film” anymore; it is being treated as a monumental piece of global cinema that has redefined how traditional arts are portrayed on the silver screen.<\/p>\n\n\n\n

      Final Thoughts<\/h2>\n\n\n\n

      Kokuho<\/em> <\/span><\/strong>is a moving masterpiece that illustrates the beauty of traditional art while diving deep into the tumultuous life of a man who gave everything to his craft. It is the kind of film that stays with you and makes you look inward.<\/p>\n\n\n\n

      If you haven\u2019t seen it yet, please go to the theater. It will likely be a special experience that makes you reflect on your own life’s journey.<\/p>\n\n\n\n

      \"\"<\/figure>\n","protected":false},"excerpt":{"rendered":"

      <A moving tale of the grueling world of artistic mastery told through Kabuki> I finally went to see the movie everyone is talking about: “Kokuho” (National Treasure). Based on the award-winning novel by Shuichi Yoshida, the film left me trembling with an emotional resonance that far exceeded my expectations. I\u2019m writing this blog today because […]<\/p>\n","protected":false},"author":1,"featured_media":22165,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"swell_btn_cv_data":"","footnotes":"","_wp_rev_ctl_limit":""},"categories":[6,16],"tags":[],"class_list":["post-22086","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-en","category-movie"],"_links":{"self":[{"href":"https:\/\/multipoints.jp\/en\/wp-json\/wp\/v2\/posts\/22086","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/multipoints.jp\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/multipoints.jp\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/multipoints.jp\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/multipoints.jp\/en\/wp-json\/wp\/v2\/comments?post=22086"}],"version-history":[{"count":6,"href":"https:\/\/multipoints.jp\/en\/wp-json\/wp\/v2\/posts\/22086\/revisions"}],"predecessor-version":[{"id":22169,"href":"https:\/\/multipoints.jp\/en\/wp-json\/wp\/v2\/posts\/22086\/revisions\/22169"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/multipoints.jp\/en\/wp-json\/wp\/v2\/media\/22165"}],"wp:attachment":[{"href":"https:\/\/multipoints.jp\/en\/wp-json\/wp\/v2\/media?parent=22086"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/multipoints.jp\/en\/wp-json\/wp\/v2\/categories?post=22086"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/multipoints.jp\/en\/wp-json\/wp\/v2\/tags?post=22086"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}